Sometimes it feels like the world's on my shoulders
Everyone's leaning on me
Cus sometimes it feels like the world's almost over
People make jokes,
coz they don't understand me
They just don’t see my real side
I act like shit don’t phase me,
Inside it drives me crazy!
My insecurities could eat me alive
Some days i sit, starin' out the window
Watchin' this world pass me by
Sometimes i think there’s nothing to live for
I almost break down and cry
Sometimes i think i'm crazy
I'm crazy, oh so crazy!
Why am i here? am i just wastin' my time?
Sometimes it feels like the world's on my shoulders
Everyone's leaning on me
Cus sometimes it feels like the world's almost over
Wednesday, February 3, 2010
Tuesday, February 2, 2010
82nd Oscar Nominations Out ---- 2009
Performance by an actor in a leading role
Performance by an actor in a supporting role
* Matt Damon in "Invictus" (Warner Bros.)
* Woody Harrelson in "The Messenger" (Oscilloscope Laboratories)
* Christopher Plummer in "The Last Station" (Sony Pictures Classics)
* Stanley Tucci in "The Lovely Bones" (DreamWorks in association with Film4, Distributed by Paramount)
* Christoph Waltz in "Inglourious Basterds" (The Weinstein Company)
Performance by an actress in a leading role
* Sandra Bullock in "The Blind Side" (Warner Bros.)
* Helen Mirren in "The Last Station" (Sony Pictures Classics)
* Carey Mulligan in "An Education" (Sony Pictures Classics)
* Gabourey Sidibe in "Precious: Based on the Novel 'Push' by Sapphire" (Lionsgate)
* Meryl Streep in "Julie & Julia" (Sony Pictures Releasing)
Performance by an actress in a supporting role
* Penélope Cruz in "Nine" (The Weinstein Company)
* Vera Farmiga in "Up in the Air" (Paramount in association with Cold Spring Pictures and DW Studios)
* Maggie Gyllenhaal in "Crazy Heart" (Fox Searchlight)
* Anna Kendrick in "Up in the Air" (Paramount in association with Cold Spring Pictures and DW Studios)
* Mo'Nique in "Precious: Based on the Novel 'Push' by Sapphire" (Lionsgate)
Best animated feature film of the year
*"Coraline" (Focus Features) Henry Selick
*"Fantastic Mr. Fox" (20th Century Fox) Wes Anderson
*"The Princess and the Frog" (Walt Disney) John Musker and Ron Clements
*"The Secret of Kells" (GKIDS) Tomm Moore
*"Up" (Walt Disney) Pete Docter
Achievement in art direction
*"Avatar" (20th Century Fox) Art Direction: Rick Carter and Robert Stromberg Set Decoration: Kim Sinclair
*"The Imaginarium of Doctor Parnassus" (Sony Pictures Classics) Art Direction: Dave Warren and Anastasia Masaro Set Decoration: Caroline Smith
*"Nine" (The Weinstein Company) Art Direction: John Myhre Set Decoration: Gordon Sim
*"Sherlock Holmes" (Warner Bros.) Art Direction: Sarah Greenwood Set Decoration: Katie Spencer
*"The Young Victoria" (Apparition) Art Direction: Patrice Vermette Set Decoration: Maggie Gray
Achievement in cinematography
*"Avatar" (20th Century Fox) Mauro Fiore
*"Harry Potter and the Half-Blood Prince" (Warner Bros.) Bruno Delbonnel
*"The Hurt Locker" (Summit Entertainment) Barry Ackroyd
*"Inglourious Basterds" (The Weinstein Company) Robert Richardson
*"The White Ribbon" (Sony Pictures Classics) Christian Berger
Achievement in costume design
*"Bright Star" (Apparition) Janet Patterson
*"Coco before Chanel" (Sony Pictures Classics) Catherine Leterrier
*"The Imaginarium of Doctor Parnassus" (Sony Pictures Classics) Monique Prudhomme
*"Nine" (The Weinstein Company) Colleen Atwood
*"The Young Victoria" (Apparition) Sandy Powell
Achievement in directing
*"Avatar" (20th Century Fox) James Cameron
*"The Hurt Locker" (Summit Entertainment) Kathryn Bigelow
*"Inglourious Basterds" (The Weinstein Company) Quentin Tarantino
*"Precious: Based on the Novel 'Push' by Sapphire" (Lionsgate) Lee Daniels
*"Up in the Air" (Paramount in association with Cold Spring Pictures and DW Studios) Jason Reitman
Best documentary feature
*"Burma VJ" (Oscilloscope) A Magic Hour Films Production Anders Østergaard and Lise Lense-Møller
*"The Cove" (Roadside Attractions) An Oceanic Preservation Society Production
*"Food, Inc." (Magnolia Pictures) A Robert Kenner Films Production Robert Kenner and Elise Pearlstein
*"The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers" A Kovno Communications Production Judith Ehrlich and Rick Goldsmith
*"Which Way Home" A Mr. Mudd Production Rebecca Cammisa
Best documentary short subject
*"China's Unnatural Disaster: The Tears of Sichuan Province" A Downtown Community Television Center Production Jon Alpert and Matthew O'Neill
*"The Last Campaign of Governor Booth Gardner" A Just Media Production Daniel Junge and Henry Ansbacher
*"The Last Truck: Closing of a GM Plant" A Community Media Production Steven Bognar and Julia Reichert
*"Music by Prudence" An iThemba Production Roger Ross Williams and Elinor Burkett
*"Rabbit à la Berlin" (Deckert Distribution) An MS Films Production Bartek Konopka and Anna Wydra
Achievement in film editing
*"Avatar" (20th Century Fox) Stephen Rivkin, John Refoua and James Cameron
*"District 9" (Sony Pictures Releasing) Julian Clarke
*"The Hurt Locker" (Summit Entertainment) Bob Murawski and Chris Innis
*"Inglourious Basterds" (The Weinstein Company) Sally Menke
*"Precious: Based on the Novel 'Push' by Sapphire" (Lionsgate) Joe Klotz
Best foreign language film of the year
*"Ajami"(Kino International) An Inosan Production Israel
*"El Secreto de Sus Ojos" (Sony Pictures Classics) A Haddock Films Production Argentina
*"The Milk of Sorrow" A Wanda Visión/Oberon Cinematogràfica/Vela Production Peru
*"Un Prophète" (Sony Pictures Classics) A Why Not/Page 114/Chic Films Production France
*"The White Ribbon" (Sony Pictures Classics) An X Filme Creative Pool/Wega Film/Les Films du Losange/Lucky Red Production Germany
Achievement in makeup
*"Il Divo" (MPI Media Group through Music Box) Aldo Signoretti and Vittorio Sodano
*"Star Trek" (Paramount and Spyglass Entertainment) Barney Burman, Mindy Hall and Joel Harlow
*"The Young Victoria" (Apparition) Jon Henry Gordon and Jenny Shircore
Achievement in music written for motion pictures (Original score)
*"Avatar" (20th Century Fox) James Horner
*"Fantastic Mr. Fox" (20th Century Fox) Alexandre Desplat
*"The Hurt Locker" (Summit Entertainment) Marco Beltrami and Buck Sanders
*"Sherlock Holmes" (Warner Bros.) Hans Zimmer
*"Up" (Walt Disney) Michael Giacchino
Achievement in music written for motion pictures (Original song)
*"Almost There" from "The Princess and the Frog" (Walt Disney) Music and Lyric by Randy Newman
*"Down in New Orleans" from "The Princess and the Frog" (Walt Disney) Music and Lyric by Randy Newman
*"Loin de Paname" from "Paris 36" (Sony Pictures Classics) Music by Reinhardt Wagner Lyric by Frank Thomas
*"Take It All" from "Nine" (The Weinstein Company) Music and Lyric by Maury Yeston
*"The Weary Kind (Theme from Crazy Heart)" from "Crazy Heart" (Fox Searchlight) Music and Lyric by Ryan Bingham and T Bone Burnett
Best motion picture of the year
*"Avatar" (20th Century) A Lightstorm Entertainment Production James Cameron and Jon Landau, Producers
*"The Blind Side" (Warner Bros.) An Alcon Entertainment Production Nominees to be determined
*"District 9" (Sony Pictures Releasing) A Block/Hanson Production Peter Jackson and Carolynne Cunningham, Producers
*"An Education" (Sony Pictures Classics) A Finola Dwyer/Wildgaze Films Production Finola Dwyer and Amanda Posey, Producers
*"The Hurt Locker" (Summit Entertainment) A Voltage Pictures Production Nominees to be determined
*"Inglourious Basterds" (The Weinstein Company) A Weinstein Company/Universal Pictures/A Band Apart/Zehnte Babelsberg Production Lawrence Bender, Producer
*"Precious: Based on the Novel 'Push' by Sapphire" (Lionsgate) A Lee Daniels Entertainment/Smokewood Entertainment Production Lee Daniels, Sarah Siegel-Magness and Gary Magness, Producers
*"A Serious Man" (Focus Features) A Working Title Films Production Joel Coen and Ethan Coen, Producers
*"Up" (Walt Disney) A Pixar Production Jonas Rivera, Producer
*"Up in the Air" (Paramount in association with Cold Spring Pictures and DW Studios) A Montecito Picture Company Production Daniel Dubiecki, Ivan Reitman and Jason Reitman, Producers
Best animated short film
*"French Roast" A Pumpkin Factory/Bibo Films Production Fabrice O. Joubert
*"Granny O'Grimm's Sleeping Beauty" (Brown Bag Films) A Brown Bag Films Production Nicky Phelan and Darragh O'Connell
*"The Lady and the Reaper (La Dama y la Muerte)" A Kandor Graphics and Green Moon Production Javier Recio Gracia
*"Logorama" (Autour de Minuit) An Autour de Minuit Production Nicolas Schmerkin
*"A Matter of Loaf and Death" (Aardman Animations) An Aardman Animations Production Nick Park
Best live action short film
*"The Door" (Network Ireland Television) An Octagon Films Production Juanita Wilson and James Flynn
*"Instead of Abracadabra" (The Swedish Film Institute) A Directörn & Fabrikörn Production Patrik Eklund and Mathias Fjellström
*"Kavi" A Gregg Helvey Production Gregg Helvey
*"Miracle Fish" (Premium Films) A Druid Films Production Luke Doolan and Drew Bailey
*"The New Tenants" A Park Pictures and M & M Production Joachim Back and Tivi Magnusson
Achievement in sound editing
*"Avatar" (20th Century Fox) Christopher Boyes and Gwendolyn Yates Whittle
*"The Hurt Locker" (Summit Entertainment) Paul N.J. Ottosson
*"Inglourious Basterds" (The Weinstein Company) Wylie Stateman
*"Star Trek" (Paramount and Spyglass Entertainment) Mark Stoeckinger and Alan Rankin
*"Up" (Walt Disney) Michael Silvers and Tom Myers
Achievement in sound mixing
*"Avatar" (20th Century Fox) Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson
*"The Hurt Locker" (Summit Entertainment) Paul N.J. Ottosson and Ray Beckett
*"Inglourious Basterds" (The Weinstein Company) Michael Minkler, Tony Lamberti and Mark Ulano
*"Star Trek" (Paramount and Spyglass Entertainment) Anna Behlmer, Andy Nelson and Peter J. Devlin
*"Transformers: Revenge of the Fallen" (DreamWorks and Paramount in association with Hasbro, Distributed by Paramount) Greg P. Russell, Gary Summers and Geoffrey Patterson
Achievement in visual effects
*"Avatar" (20th Century Fox) Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
*"District 9" (Sony Pictures Releasing) Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken
*"Star Trek" (Paramount and Spyglass Entertainment) Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton
Adapted screenplay
*"District 9" (Sony Pictures Releasing) Written by Neill Blomkamp and Terri Tatchell
*"An Education" (Sony Pictures Classics) Screenplay by Nick Hornby
*"In the Loop" (IFC Films) Screenplay by Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche
*"Precious: Based on the Novel 'Push' by Sapphire" (Lionsgate) Screenplay by Geoffrey Fletcher
*"Up in the Air" (Paramount in association with Cold Spring Pictures and DW Studios) Screenplay by Jason Reitman and Sheldon Turner
Original screenplay
*"The Hurt Locker" (Summit Entertainment) Written by Mark Boal
*"Inglourious Basterds" (The Weinstein Company) Written by Quentin Tarantino
*"The Messenger" (Oscilloscope Laboratories) Written by Alessandro Camon & Oren Moverman
*"A Serious Man" (Focus Features) Written by Joel Coen & Ethan Coen
*"Up" (Walt Disney) Screenplay by Bob Peterson, Pete Docter Story by Pete Docter, Bob Peterson, Tom McCarthy
* Jeff Bridges in "Crazy Heart" (Fox Searchlight)
* George Clooney in "Up in the Air" (Paramount in association with Cold Spring Pictures and DW Studios)
* Colin Firth in "A Single Man" (The Weinstein Company)
* Morgan Freeman in "Invictus" (Warner Bros.)
* Jeremy Renner in "The Hurt Locker" (Summit Entertainment)
Performance by an actor in a supporting role
* Matt Damon in "Invictus" (Warner Bros.)
* Woody Harrelson in "The Messenger" (Oscilloscope Laboratories)
* Christopher Plummer in "The Last Station" (Sony Pictures Classics)
* Stanley Tucci in "The Lovely Bones" (DreamWorks in association with Film4, Distributed by Paramount)
* Christoph Waltz in "Inglourious Basterds" (The Weinstein Company)
Performance by an actress in a leading role
* Sandra Bullock in "The Blind Side" (Warner Bros.)
* Helen Mirren in "The Last Station" (Sony Pictures Classics)
* Carey Mulligan in "An Education" (Sony Pictures Classics)
* Gabourey Sidibe in "Precious: Based on the Novel 'Push' by Sapphire" (Lionsgate)
* Meryl Streep in "Julie & Julia" (Sony Pictures Releasing)
Performance by an actress in a supporting role
* Penélope Cruz in "Nine" (The Weinstein Company)
* Vera Farmiga in "Up in the Air" (Paramount in association with Cold Spring Pictures and DW Studios)
* Maggie Gyllenhaal in "Crazy Heart" (Fox Searchlight)
* Anna Kendrick in "Up in the Air" (Paramount in association with Cold Spring Pictures and DW Studios)
* Mo'Nique in "Precious: Based on the Novel 'Push' by Sapphire" (Lionsgate)
Best animated feature film of the year
*"Coraline" (Focus Features) Henry Selick
*"Fantastic Mr. Fox" (20th Century Fox) Wes Anderson
*"The Princess and the Frog" (Walt Disney) John Musker and Ron Clements
*"The Secret of Kells" (GKIDS) Tomm Moore
*"Up" (Walt Disney) Pete Docter
Achievement in art direction
*"Avatar" (20th Century Fox) Art Direction: Rick Carter and Robert Stromberg Set Decoration: Kim Sinclair
*"The Imaginarium of Doctor Parnassus" (Sony Pictures Classics) Art Direction: Dave Warren and Anastasia Masaro Set Decoration: Caroline Smith
*"Nine" (The Weinstein Company) Art Direction: John Myhre Set Decoration: Gordon Sim
*"Sherlock Holmes" (Warner Bros.) Art Direction: Sarah Greenwood Set Decoration: Katie Spencer
*"The Young Victoria" (Apparition) Art Direction: Patrice Vermette Set Decoration: Maggie Gray
Achievement in cinematography
*"Avatar" (20th Century Fox) Mauro Fiore
*"Harry Potter and the Half-Blood Prince" (Warner Bros.) Bruno Delbonnel
*"The Hurt Locker" (Summit Entertainment) Barry Ackroyd
*"Inglourious Basterds" (The Weinstein Company) Robert Richardson
*"The White Ribbon" (Sony Pictures Classics) Christian Berger
Achievement in costume design
*"Bright Star" (Apparition) Janet Patterson
*"Coco before Chanel" (Sony Pictures Classics) Catherine Leterrier
*"The Imaginarium of Doctor Parnassus" (Sony Pictures Classics) Monique Prudhomme
*"Nine" (The Weinstein Company) Colleen Atwood
*"The Young Victoria" (Apparition) Sandy Powell
Achievement in directing
*"Avatar" (20th Century Fox) James Cameron
*"The Hurt Locker" (Summit Entertainment) Kathryn Bigelow
*"Inglourious Basterds" (The Weinstein Company) Quentin Tarantino
*"Precious: Based on the Novel 'Push' by Sapphire" (Lionsgate) Lee Daniels
*"Up in the Air" (Paramount in association with Cold Spring Pictures and DW Studios) Jason Reitman
Best documentary feature
*"Burma VJ" (Oscilloscope) A Magic Hour Films Production Anders Østergaard and Lise Lense-Møller
*"The Cove" (Roadside Attractions) An Oceanic Preservation Society Production
*"Food, Inc." (Magnolia Pictures) A Robert Kenner Films Production Robert Kenner and Elise Pearlstein
*"The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers" A Kovno Communications Production Judith Ehrlich and Rick Goldsmith
*"Which Way Home" A Mr. Mudd Production Rebecca Cammisa
Best documentary short subject
*"China's Unnatural Disaster: The Tears of Sichuan Province" A Downtown Community Television Center Production Jon Alpert and Matthew O'Neill
*"The Last Campaign of Governor Booth Gardner" A Just Media Production Daniel Junge and Henry Ansbacher
*"The Last Truck: Closing of a GM Plant" A Community Media Production Steven Bognar and Julia Reichert
*"Music by Prudence" An iThemba Production Roger Ross Williams and Elinor Burkett
*"Rabbit à la Berlin" (Deckert Distribution) An MS Films Production Bartek Konopka and Anna Wydra
Achievement in film editing
*"Avatar" (20th Century Fox) Stephen Rivkin, John Refoua and James Cameron
*"District 9" (Sony Pictures Releasing) Julian Clarke
*"The Hurt Locker" (Summit Entertainment) Bob Murawski and Chris Innis
*"Inglourious Basterds" (The Weinstein Company) Sally Menke
*"Precious: Based on the Novel 'Push' by Sapphire" (Lionsgate) Joe Klotz
Best foreign language film of the year
*"Ajami"(Kino International) An Inosan Production Israel
*"El Secreto de Sus Ojos" (Sony Pictures Classics) A Haddock Films Production Argentina
*"The Milk of Sorrow" A Wanda Visión/Oberon Cinematogràfica/Vela Production Peru
*"Un Prophète" (Sony Pictures Classics) A Why Not/Page 114/Chic Films Production France
*"The White Ribbon" (Sony Pictures Classics) An X Filme Creative Pool/Wega Film/Les Films du Losange/Lucky Red Production Germany
Achievement in makeup
*"Il Divo" (MPI Media Group through Music Box) Aldo Signoretti and Vittorio Sodano
*"Star Trek" (Paramount and Spyglass Entertainment) Barney Burman, Mindy Hall and Joel Harlow
*"The Young Victoria" (Apparition) Jon Henry Gordon and Jenny Shircore
Achievement in music written for motion pictures (Original score)
*"Avatar" (20th Century Fox) James Horner
*"Fantastic Mr. Fox" (20th Century Fox) Alexandre Desplat
*"The Hurt Locker" (Summit Entertainment) Marco Beltrami and Buck Sanders
*"Sherlock Holmes" (Warner Bros.) Hans Zimmer
*"Up" (Walt Disney) Michael Giacchino
Achievement in music written for motion pictures (Original song)
*"Almost There" from "The Princess and the Frog" (Walt Disney) Music and Lyric by Randy Newman
*"Down in New Orleans" from "The Princess and the Frog" (Walt Disney) Music and Lyric by Randy Newman
*"Loin de Paname" from "Paris 36" (Sony Pictures Classics) Music by Reinhardt Wagner Lyric by Frank Thomas
*"Take It All" from "Nine" (The Weinstein Company) Music and Lyric by Maury Yeston
*"The Weary Kind (Theme from Crazy Heart)" from "Crazy Heart" (Fox Searchlight) Music and Lyric by Ryan Bingham and T Bone Burnett
Best motion picture of the year
*"Avatar" (20th Century) A Lightstorm Entertainment Production James Cameron and Jon Landau, Producers
*"The Blind Side" (Warner Bros.) An Alcon Entertainment Production Nominees to be determined
*"District 9" (Sony Pictures Releasing) A Block/Hanson Production Peter Jackson and Carolynne Cunningham, Producers
*"An Education" (Sony Pictures Classics) A Finola Dwyer/Wildgaze Films Production Finola Dwyer and Amanda Posey, Producers
*"The Hurt Locker" (Summit Entertainment) A Voltage Pictures Production Nominees to be determined
*"Inglourious Basterds" (The Weinstein Company) A Weinstein Company/Universal Pictures/A Band Apart/Zehnte Babelsberg Production Lawrence Bender, Producer
*"Precious: Based on the Novel 'Push' by Sapphire" (Lionsgate) A Lee Daniels Entertainment/Smokewood Entertainment Production Lee Daniels, Sarah Siegel-Magness and Gary Magness, Producers
*"A Serious Man" (Focus Features) A Working Title Films Production Joel Coen and Ethan Coen, Producers
*"Up" (Walt Disney) A Pixar Production Jonas Rivera, Producer
*"Up in the Air" (Paramount in association with Cold Spring Pictures and DW Studios) A Montecito Picture Company Production Daniel Dubiecki, Ivan Reitman and Jason Reitman, Producers
Best animated short film
*"French Roast" A Pumpkin Factory/Bibo Films Production Fabrice O. Joubert
*"Granny O'Grimm's Sleeping Beauty" (Brown Bag Films) A Brown Bag Films Production Nicky Phelan and Darragh O'Connell
*"The Lady and the Reaper (La Dama y la Muerte)" A Kandor Graphics and Green Moon Production Javier Recio Gracia
*"Logorama" (Autour de Minuit) An Autour de Minuit Production Nicolas Schmerkin
*"A Matter of Loaf and Death" (Aardman Animations) An Aardman Animations Production Nick Park
Best live action short film
*"The Door" (Network Ireland Television) An Octagon Films Production Juanita Wilson and James Flynn
*"Instead of Abracadabra" (The Swedish Film Institute) A Directörn & Fabrikörn Production Patrik Eklund and Mathias Fjellström
*"Kavi" A Gregg Helvey Production Gregg Helvey
*"Miracle Fish" (Premium Films) A Druid Films Production Luke Doolan and Drew Bailey
*"The New Tenants" A Park Pictures and M & M Production Joachim Back and Tivi Magnusson
Achievement in sound editing
*"Avatar" (20th Century Fox) Christopher Boyes and Gwendolyn Yates Whittle
*"The Hurt Locker" (Summit Entertainment) Paul N.J. Ottosson
*"Inglourious Basterds" (The Weinstein Company) Wylie Stateman
*"Star Trek" (Paramount and Spyglass Entertainment) Mark Stoeckinger and Alan Rankin
*"Up" (Walt Disney) Michael Silvers and Tom Myers
Achievement in sound mixing
*"Avatar" (20th Century Fox) Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson
*"The Hurt Locker" (Summit Entertainment) Paul N.J. Ottosson and Ray Beckett
*"Inglourious Basterds" (The Weinstein Company) Michael Minkler, Tony Lamberti and Mark Ulano
*"Star Trek" (Paramount and Spyglass Entertainment) Anna Behlmer, Andy Nelson and Peter J. Devlin
*"Transformers: Revenge of the Fallen" (DreamWorks and Paramount in association with Hasbro, Distributed by Paramount) Greg P. Russell, Gary Summers and Geoffrey Patterson
Achievement in visual effects
*"Avatar" (20th Century Fox) Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
*"District 9" (Sony Pictures Releasing) Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken
*"Star Trek" (Paramount and Spyglass Entertainment) Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton
Adapted screenplay
*"District 9" (Sony Pictures Releasing) Written by Neill Blomkamp and Terri Tatchell
*"An Education" (Sony Pictures Classics) Screenplay by Nick Hornby
*"In the Loop" (IFC Films) Screenplay by Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche
*"Precious: Based on the Novel 'Push' by Sapphire" (Lionsgate) Screenplay by Geoffrey Fletcher
*"Up in the Air" (Paramount in association with Cold Spring Pictures and DW Studios) Screenplay by Jason Reitman and Sheldon Turner
Original screenplay
*"The Hurt Locker" (Summit Entertainment) Written by Mark Boal
*"Inglourious Basterds" (The Weinstein Company) Written by Quentin Tarantino
*"The Messenger" (Oscilloscope Laboratories) Written by Alessandro Camon & Oren Moverman
*"A Serious Man" (Focus Features) Written by Joel Coen & Ethan Coen
*"Up" (Walt Disney) Screenplay by Bob Peterson, Pete Docter Story by Pete Docter, Bob Peterson, Tom McCarthy
Wednesday, January 6, 2010
Nobody wanna see us together
Nobody wanna see us together
But it don't matter no
Cause I got you babe
Nobody wanna see us together
But it don't matter no
Cause I got you babe
Cause we gon' fight
Oh yes we gon' fight(We gon' fight)
Believe we gon' fight(We gon' fight)
Fight for our right to love yeah
Nobody wanna see us together
But it don't matter no
Cause I got you babe
Nobody wanna see us together
Nobody thought we'd last forever
I feel I'm hopin' and prayin'
Things between us gon' get better
Men steady comin' after you
Women steady comin' after me
Seem like everybody wanna go for self
And don't wanna respect boundaries
Tellin' you all those lies
Just to get on your side
But I must admit there was a couple secrets
I held inside
But just know that I tried
To always apologize
And I'ma have you first always in my heart
To keep you satisfied
You got every right to wanna leave
You got every right to wanna go
You got every right to hit the road
And never talk to me no more
You don't even have to call
Even check for me at all
Because the way I been actin' lately
Has been off the wall
Especially towards you
Puttin' girls before you
And they watchin' everything I been doin'
Just to hurt you
Most of it just ain't true(Ain't true)
And they won't show you
How much of a queen you are to me
And why I love you baby
But it don't matter no
Cause I got you babe
Nobody wanna see us together
But it don't matter no
Cause I got you babe
Cause we gon' fight
Oh yes we gon' fight(We gon' fight)
Believe we gon' fight(We gon' fight)
Fight for our right to love yeah
Nobody wanna see us together
But it don't matter no
Cause I got you babe
Nobody wanna see us together
Nobody thought we'd last forever
I feel I'm hopin' and prayin'
Things between us gon' get better
Men steady comin' after you
Women steady comin' after me
Seem like everybody wanna go for self
And don't wanna respect boundaries
Tellin' you all those lies
Just to get on your side
But I must admit there was a couple secrets
I held inside
But just know that I tried
To always apologize
And I'ma have you first always in my heart
To keep you satisfied
You got every right to wanna leave
You got every right to wanna go
You got every right to hit the road
And never talk to me no more
You don't even have to call
Even check for me at all
Because the way I been actin' lately
Has been off the wall
Especially towards you
Puttin' girls before you
And they watchin' everything I been doin'
Just to hurt you
Most of it just ain't true(Ain't true)
And they won't show you
How much of a queen you are to me
And why I love you baby
You Never Took the Time to Know Me
A moment ago it seemed
It was yesterday
You were here with me
And everything seems to be the same
What am I supposed to do
With all these empty rooms?
Sit here in solitude
With the smell of your perfume
Ya never took the time to know me
Ya never took the time to understand
Ya never took the time to know me
Cause lovin' you is all I ever had
Still lovin' you is all I ever have
This wasn't what I wanted to be
A man in misery
Girl I look back a thousand times
And can't believe that you left me
Why you leave me baby
Why can't you understand my pain
How can I explain
Girl I don't know what I'm doin' wrong
I can't believe that your love is gone
Cause you never took the time to know me
Said you never took the time to know me
You never took the time to understand
Said you never took the time to know me
Said you never took the time to know me
See lovin' you is all I ever had
Baby lovin' you is all I ever had
You're all I need
You're all I see
And I wish that we could do it again
Cause you never took the time to know
Baby you never took the time to know me
You never took the time to understand
Said you never took the time to know me
Because of you now I'm just a lonely man
Because of you now I'm just a lonely man
It was yesterday
You were here with me
And everything seems to be the same
What am I supposed to do
With all these empty rooms?
Sit here in solitude
With the smell of your perfume
Ya never took the time to know me
Ya never took the time to understand
Ya never took the time to know me
Cause lovin' you is all I ever had
Still lovin' you is all I ever have
This wasn't what I wanted to be
A man in misery
Girl I look back a thousand times
And can't believe that you left me
Why you leave me baby
Why can't you understand my pain
How can I explain
Girl I don't know what I'm doin' wrong
I can't believe that your love is gone
Cause you never took the time to know me
Said you never took the time to know me
You never took the time to understand
Said you never took the time to know me
Said you never took the time to know me
See lovin' you is all I ever had
Baby lovin' you is all I ever had
You're all I need
You're all I see
And I wish that we could do it again
Cause you never took the time to know
Baby you never took the time to know me
You never took the time to understand
Said you never took the time to know me
Because of you now I'm just a lonely man
Because of you now I'm just a lonely man
Sunday, January 3, 2010
I will survive
First I was afraid
I was petrified
Kept thinking I could never live
without you by my side
But I spent so many nights
thinking how you did me wrong
I grew strong
I learned how to carry on
and so you're back
from outer space
I just walked in to find you here
with that sad look upon your face
I should have changed my stupid lock
I should have made you leave your key
If I had known for just one second
you'd be back to bother me
Go on now go walk out the door
just turn around now
'cause you're not welcome anymore
weren't you the one who tried to hurt me with goodbye
you think I'd crumble
you think I'd lay down and die
Oh no, not I
I will survive
as long as i know how to love
I know I will stay alive
I've got all my life to live
I've got all my love to give
and I'll survive
I will survive
It took all the strength I had
not to fall apart
kept trying hard to mend
the pieces of my broken heart
and I spent oh so many nights
just feeling sorry for myself
I used to cry
Now I hold my head up high
and you see me
somebody new
I'm not that chained up little person
still in love with you
and so you felt like dropping in
and just expect me to be free
now I'm saving all my loving
for someone who's loving me
I was petrified
Kept thinking I could never live
without you by my side
But I spent so many nights
thinking how you did me wrong
I grew strong
I learned how to carry on
and so you're back
from outer space
I just walked in to find you here
with that sad look upon your face
I should have changed my stupid lock
I should have made you leave your key
If I had known for just one second
you'd be back to bother me
Go on now go walk out the door
just turn around now
'cause you're not welcome anymore
weren't you the one who tried to hurt me with goodbye
you think I'd crumble
you think I'd lay down and die
Oh no, not I
I will survive
as long as i know how to love
I know I will stay alive
I've got all my life to live
I've got all my love to give
and I'll survive
I will survive
It took all the strength I had
not to fall apart
kept trying hard to mend
the pieces of my broken heart
and I spent oh so many nights
just feeling sorry for myself
I used to cry
Now I hold my head up high
and you see me
somebody new
I'm not that chained up little person
still in love with you
and so you felt like dropping in
and just expect me to be free
now I'm saving all my loving
for someone who's loving me
Wednesday, December 23, 2009
What's Wrong With Me...??????????
I Don't Know How To Understand You
You Won't Give Me A Chance
Turn Me Up A Little Bit
I Gotta Talk To Her
Yeah
You Don't Have To Have Those Beautiful Eyes
Or That... Beautiful Skin
You Don't Have To Walk That Way
Or Be Extraordinarily Thin
You Don't Have To Be A Supermodel
To... Be My Girl
Or Would I Be A Over-indulgence
And Just... Make You Hurl
what's Wrong With Me
What's Wrong With Me,
why Can't I Be With You
Why Can't We Be,
you Don't Know What You Do To Me,
I Can Feel You All Over
Now Look-a-here
Now When I First Met You
You, You Never Asked What I Drove
you Didn't Ask About None Of My bikes
You Told Me I Was Beautiful
Girl... And You Ignored My Clothes
Heaven Only Knows, Knows, Knows
That You're The Faceless Girl Of My Dreams
Hey, But What's So Weird
I've Seen You All Along In Magazines
What's Wrong With Me
What's Wrong With Me
Why Can't We Be,
What's Wrong With Me,
How Long Will It... Be, Yeah
Every Once In A While I'll Hear From You
Which Illuminates My Day
What's So Scary I'm Not,
I'm Not In Love With You Baby
But I'm Preventably On My Way
If I Could Remove All The Lights From The World
For An... Experiment For Me
let Me Show You Something, You'd Learn That
When In The Dark, If You Use Your Heart
You'd, You'd Most Certainly See
That I'm The One For You
What's Wrong With Me,
what's Wrong With Me...
Why Can't We Be, Yeah
I Don't Get It
You Mean So Much Me
What's Wrong, Am I Too Demanding?
Listen
I Just Wanna Feel You
I Just Wanna Touch You
Please Be Mine, what's Wrong.
You'll Be My Breakfast Every Morning
You Won't Give Me A Chance
Turn Me Up A Little Bit
I Gotta Talk To Her
Yeah
You Don't Have To Have Those Beautiful Eyes
Or That... Beautiful Skin
You Don't Have To Walk That Way
Or Be Extraordinarily Thin
You Don't Have To Be A Supermodel
To... Be My Girl
Or Would I Be A Over-indulgence
And Just... Make You Hurl
what's Wrong With Me
What's Wrong With Me,
why Can't I Be With You
Why Can't We Be,
you Don't Know What You Do To Me,
I Can Feel You All Over
Now Look-a-here
Now When I First Met You
You, You Never Asked What I Drove
you Didn't Ask About None Of My bikes
You Told Me I Was Beautiful
Girl... And You Ignored My Clothes
Heaven Only Knows, Knows, Knows
That You're The Faceless Girl Of My Dreams
Hey, But What's So Weird
I've Seen You All Along In Magazines
What's Wrong With Me
What's Wrong With Me
Why Can't We Be,
What's Wrong With Me,
How Long Will It... Be, Yeah
Every Once In A While I'll Hear From You
Which Illuminates My Day
What's So Scary I'm Not,
I'm Not In Love With You Baby
But I'm Preventably On My Way
If I Could Remove All The Lights From The World
For An... Experiment For Me
let Me Show You Something, You'd Learn That
When In The Dark, If You Use Your Heart
You'd, You'd Most Certainly See
That I'm The One For You
What's Wrong With Me,
what's Wrong With Me...
Why Can't We Be, Yeah
I Don't Get It
You Mean So Much Me
What's Wrong, Am I Too Demanding?
Listen
I Just Wanna Feel You
I Just Wanna Touch You
Please Be Mine, what's Wrong.
You'll Be My Breakfast Every Morning
Monday, December 21, 2009
Guilt creates energy blocks - Will help us
Guilt is nothing but your past decisions and actions being reviewed
with your updated intelligence. For example, if you had a fight with a
friend in school. And many years later, is it right to review that incident and
feel guilty? No! At that time you had only that much intelligence, so
you behaved in that fashion. Now, you have updated intelligence. It
doesn’t make sense to review the past with your present intelligence.
You are designed to move like a freely flowing river. Guilt is like
rocks in the path of the water. The main problem is that society has
subtly branded happiness as a sin. That is why you will notice, when
everything is going smoothly and happily, there will be a lurking
feeling of guilt in you. You are taught by society that being happy
and enjoying life is being irresponsible in a way. So you feel guilty.
But when you feel sad and depressed, do you ever feel guilty? No!
You are taught that life is a chain of suffering and endurance, with
happiness stepping in once in a while. When you are enjoying, dancing
or relaxing at the beach for example, suddenly you will observe guilt
starts rising in you about all the work that is pending, about all the
responsibilities that need to be fulfilled.
Your being is a crowd of voices that doesn’t belong to you. It is a
totality of your mother’s voice, your father’s voice, your teacher’s
voice, your neighbour’s voice etc. All these voices are in there. If
there is only one voice, you will never have any problem. Your mind
will move like a river. But there are so many voices telling you so
many things and creating the rocks of guilt in your path.
As long as you flow like a river, you will express extraordinary
intelligence in your life. You will breathe with an energy that is
overflowing every minute. The moment you allow guilt in you, the
moment you are stopped in your free flow, you create energy clots
inside your being.
Guilt has no basis but it can destroy your whole life. Living and
existing without guilt, will make you enjoy every moment without
feeling any regret and still fulfilling all your responsibilities.
When you commit a mistake, instead of feeling guilty, perceive
objectively reasons for committing it, how you committed it.
Watch as an observer how and why it is getting repeated. Introspect
scientifically into the mechanism of guilt. Just this awareness will
open a new door and you will never commit the same mistake again
because once you look into it, and discover the reasons, they will
disappear.
with your updated intelligence. For example, if you had a fight with a
friend in school. And many years later, is it right to review that incident and
feel guilty? No! At that time you had only that much intelligence, so
you behaved in that fashion. Now, you have updated intelligence. It
doesn’t make sense to review the past with your present intelligence.
You are designed to move like a freely flowing river. Guilt is like
rocks in the path of the water. The main problem is that society has
subtly branded happiness as a sin. That is why you will notice, when
everything is going smoothly and happily, there will be a lurking
feeling of guilt in you. You are taught by society that being happy
and enjoying life is being irresponsible in a way. So you feel guilty.
But when you feel sad and depressed, do you ever feel guilty? No!
You are taught that life is a chain of suffering and endurance, with
happiness stepping in once in a while. When you are enjoying, dancing
or relaxing at the beach for example, suddenly you will observe guilt
starts rising in you about all the work that is pending, about all the
responsibilities that need to be fulfilled.
Your being is a crowd of voices that doesn’t belong to you. It is a
totality of your mother’s voice, your father’s voice, your teacher’s
voice, your neighbour’s voice etc. All these voices are in there. If
there is only one voice, you will never have any problem. Your mind
will move like a river. But there are so many voices telling you so
many things and creating the rocks of guilt in your path.
As long as you flow like a river, you will express extraordinary
intelligence in your life. You will breathe with an energy that is
overflowing every minute. The moment you allow guilt in you, the
moment you are stopped in your free flow, you create energy clots
inside your being.
Guilt has no basis but it can destroy your whole life. Living and
existing without guilt, will make you enjoy every moment without
feeling any regret and still fulfilling all your responsibilities.
When you commit a mistake, instead of feeling guilty, perceive
objectively reasons for committing it, how you committed it.
Watch as an observer how and why it is getting repeated. Introspect
scientifically into the mechanism of guilt. Just this awareness will
open a new door and you will never commit the same mistake again
because once you look into it, and discover the reasons, they will
disappear.
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